Plaster Building

Materials

  • Foam card
  • Thin card
  • Cardboard tray for holding melons.
  • Net Curtain Material
  • Casting Plaster
  • Wide Tape (Parcel tape or duct tape)
  • PVA
  • Large File
  • Scalpel
  • Construction

    Making the mould/formwork
    Cut off one compartment of the melon tray. There will be gaps at the sides where it joins to the neighbouring compartments. The pleasing grooves on the building are formed into the bottom of the tray that I had. Roughly cut pieces of card and tape them on to plug these gaps up.

    Casting the building
    Mix up some plaster with not too much water so it fairly thick, which it will stop it oozing too much out of cracks in your makeshift mould. Spread a half inch thick layer over the inside of your mould. Next put in some reinforcement. Net curtain material is very good, but you could just toss in lots of bits of string (the rougher and looser weave the better). This will strengthen the plaster against cracking. Now add another layer of plaster so you have a 1 to 1½ inch layer over the entire inner surface of the mould. Leave it to set for at least an hour. The plaster will be fairly hard in a few minutes, but you should leave it for a good long time to harden to avoid it being damaged when you remove the mould. Now peel the cardboard off the outside of the buiding. It will probably come off in small bits, so it is a one-use mould only.

    Making the entrance
    This is a tricky one. I cut a façade of foamcard, with a rough arc of card behind it to fill the gap to the main dome. This was then built up with thickly mixed plaster and finally filed off. All in all this wasn't very successful. It was laborious, not really neat enough and the texture didn't match.

    What I probably should have done
    With hindsight I would have built the entrance into the mould from a piece of card bent into a curve and then glued to a flat piece with a curve cut into it to form the shape. Then I would have glued on the foamcard façade at the end to give a nice flat front and recessed doorway. Finally I would have filled any gap between the foamcard and the main building with plaster.

    Making the door
    Cut the doorway from the foam card and then glue the same piece back in but set back by about half the width of the foamcard. To add some detail cut a piece of thin card to the same size and then remove four triangles from it to give the impression of reinforcement bars. You will need to draw these on with a pencil to get the triangles in the right place.

    Adding recessed detailing
    Take a scalpel, large needle or any other pointy bit of metal and scrape in some grooves. A circle template (as used for technical drawing work) can be used for circular grooves to represent hatches or access panels. If you are using a scalpel then be careful not to ruin your template by cutting bits out of it. You can also make straight grooves using some kind of flexible straight edge such as the edge of a piece of plastic packaging.

    Adding raised detailing
    Stick on some little rectangles of card. A thin card should be used so that it can be bent to the curved surface of the plaster. You could also add assorted bits box items such as bits of pens and plastic toys to resemble vents etc. Absorbent material such as card should be stuck with PVA, metal and plastic with epoxy resin. Super glue is not very good because the plaster is so absorbent.

    Painting the dome

    • The dome was given a coat of masonry paint to seal the porous surface of the plaster.
    • This was followed by a coat of brown emulsion .
    • Next a dark brown wash was applied .
    • A fairly wet drybrush with the original colour .
    • A dryer drybrush with the original colour mixed with a pale cream.
    • A very dry drybrush of the cream colour .
    • Finally the dome was stained with patchy washes of differene browns and dark greenish browns. In some case these were smeared (using a finger) and in some areas a light drybrush of cream was applied over the top.
    Painting the door
    • Black basecoat .
    • Drybrush with dark silver/gunmetal.
    • Patchy drybrush of chestnut brown to simulate rust .
    • Light wash of dark brown .

     

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